№ 18. Predictive Programming

PAGE STATUS: Aggregate page. This material has been kicked around more times than a soccer ball. Frankly, the last few times I’ve been here it has been to steal material. 923 is the king of predictive programming and all that material had to be moved to page № 23. The Great Sign. Frankly, I do not know if this page will even survive.
LAST UPDATE:  September 4, 2020

 

 

 

 

The constellations Virgo and Leo on September 23, 2017

September 23, 2017 (923)


In some ways, this page is merely an introduction to the subject of predictive programming because perhaps the most important example of predictive programming has been moved to page № 23. September 23, 2017 (923).

 

923 is the “mother of all predictive programming”

 

 

 

 

 

 

 

2001: A Space Odyssey


 

May 22:2020: I am fixing and finishing this section over the Memorial Day holiday

 

I moved this section to the page on predictive programming because is is an important lesson, perhaps the most important lesson on the purpose of predictive programming, which is much more subtle than I believe most people aware of the subject think. Predictive programming is not a game. It is an almost metaphysical method of altering our reality. The operative word in “predictive programming” is programming, and the meaning is as follows:

 

 

 

Get ready to learn a radical truth. Stanley Kubrick knew much more than most people realize. And he knew it sooner than most people believe. “2001: A Space Odyssey” was practice for faking the Apollo moon landings. He already knew then “what’s going to happen” (a quote from the end of the movie). None of his subsequent movies come as close to him revealing the truth of what is about to happen. Of course, I am referring to The Shinning, which got him killed. But long before that

Stanley Kubrick planted a few bombshells in 2001: A Space Odyssey including a United States flag waving inside of a closed room and helmet visors reflecting things they should not.

What I am telling you is that NASA had already told Stanley Kubrick everything before he even began filing 2001: A Space Odyssey was practice for filming the moon landings. In fact, I am sure the financing for this movie was not only arranged for him but that he also had a very generous, if not practically unlimited budget. Furthermore, Kubrick had already decided at least some of the tricks he would use to communicate to a thinking audience that what they were seeing was a staged landing on the Moon, not the real thing.

The waving flag inside of a closed room in 2001: A Space Odyssey shocked me the first time I saw it. I knew immediately what it signified. He was telling us even then, “I have been contracted to fake the moon landings for NASA.” We just would not be able to hear him until many years later when the first person realized that a flag on the surface of the moon should not be waving.

And was waving. The progeny of Jove are in the middle of a campaign to defend the Apollo Program. Part of that campaign very specifically addresses the waving flag. Don’t buy it.

Despite its name, the following video includes a very good (“best of breed”) analysis of The Shinning. Pay special attention to the part about the contract. If you can hear Stanley Kubrick’s voice speaking directly to you about his contract to fake the moon landings, then I think you have graduated from this module in your effort to escape the deep hypnotic state. You just have to let it be real. You must think for yourself.

“2001: A Space Odyssey – What Did Stanley Kubrick Know?” from the Shaking My Head Productions channel:

Now as for the movie The Shinning, nobody understands the room 237 thing.

This change was done to bring attention to the original room number 217 in the book. Stanley Kubrick added 20 as if to say “there’s a zero missing after the two.” All of this is pointing to the year 2017. This has nothing to do with the distance to the moon. That is pure speculation.  See also the № 23. 2017 versus 2018 page.

 

I highly value the following video because it th oroughly documents the high-level of NASA involvement in the production of 2001: A Space Odyssey.

 

“Richplanet – New evidence on Stanley Kubrick faking the Apollo Moon landing (full version)” from the Robert Ritter YouTube channel:

The more I study Stanley Kubrick, the more I think he was another Manly P. Hall. Both men were killed for talking too much. My point is that Kubrick knew everything. He was an insider. He knew “what’s going to happen.” None of his subsequent movies come as close to him revealing the whole truth of what is about to happen when compared to 2001:A SpaceOdyssey.

 

 

 

 

 

 

 

I can assure you that you’ve never heard this before because I was the first person to notice it. In his movie 2001: A Space Odyssey, the start of the movie is so bizarre that I just knew he was telling us something profoundly important. It took me a few minutes to find it. It was in the timing. The music reaches a very loud crescendo and then suddenly stops. The time is 00:04:33, as in “I am making this movie for 33” or for the progeny of Jove. Stanley Kubrick was eventually killed for doing this, for his compulsive need to use his art to tell us what was really happening.

His most bold move in this regard has regrettably never been noticed. It starts at 00:41:06 in the same movie and lasts until 00:45:36, a 4:30-minute scene in which his brilliance as a human being was wasted on us. The scene opens with a cameraman dressed in a totally weird looking plaid suit so as to get your attention. You’ll see this plaid again on Jack Nicholsen in The Shining. The camera is initially pointed at the audience. So as to emphasize the peculiarity of this scene, some of the last dialogue is

 

Oh yes. As some of you already know, the council has requested that formal security oaths be obtained in writing from everyone who has any knowledge of this event.

 

The “event” to which Kubrick is referring is the faked moon landing. The progeny of Jove have already hired him to fake the moon landing and he has committed himself in writing to secrecy. 2001: A Space Odyssey was his preparation for that work. It was also intended to prepare the public for the moon landings.

How do I know all of this? Because of the 4:30 scene I am discussing now. Why is there a cameraman filming a top-secret meeting in which all of the attendees are sworn to secrecy? It’s Kubrick! The cameraman is Kubrick. Something profound is about to happen. Something everyone missed. Sometimes I think The Shining grew out of Kubrick’s frustration that we missed what happens in this scene. It is so obvious in retrospect.

Kubrick has already figured out how he is going to expose the moon landings as a fake. He has several devices in mind, but the flags in this scene are his most important. Even at this early date,  Kubrick intends to make the flag on the moon wave, something that should be clearly impossible because there is no atmosphere on the moon. He is thinking way ahead. That is what this whole scene is about. It is being filmed in a closed room (which also happens to be on the moon). There is no breeze, nothing to cause the flag to wave in this secen either. Yet it does. This man truly is a genius.

The scene discusses a “cover story” which is clearly a reference to the faked moon landings. Here is an excerpt. You should imagine this is Stanley Kubrick talking to you about the faked moon landings because that is exactly what he is doing.

 

I found this cover story personally embarrassing myself. However, I accept the need for absolute secrecy in this and I hope you will, too. Now I’m sure you’re all aware of the extremely grave potential for cultural shock and social disorientation contained in this present situation. If the facts were prematurely and suddenly made public without adequate preparation and conditioning.

 

At 00:41:45 after Dr. Halvorsen has reached the podium and is standing behind it, the United States flag starts waving. Kubrick wasn’t taking any chances; it waves more than just a little, more than could possibly be explained by the draft of a passing man. And then as if to emphasize what just happened, the blue flag with the white star in the other corner at the front of the room starts inexplicably waving. In fact, if you watch carefully, both flags keep moving throughout this 4:30-minute scene. Why did the flag move? Perhaps it was a disturbance in the air caused by Dr. Halvorsen walking by (even though Kubrick has made sure the timing of the flag moving does not support this theory). So you might ask, does the flag move when Dr. Floyd walks by it? This is where Stanley Kubrick is having a little fun and speaking directly to you. It is in some small way what I call an “anti-cipher” in that he is letting you know that he did indeed move the flag on purpose. The answer is you’ll never know. Dr. Halvorsen blocks the camera’s view of the flag at this critical juncture in the scene.

Now you might think all of this is conjecture, meaningless prattle. It’s okay. I understand. But if you feel this way you really should stop reading my website. There’s nothing in it for you. The things I am saying are real. And Stanley Kubrick died because of this. He was murdered. So was Christ Jesus.

 

 

 

 

Stanley Kubrick’s Contract with NASA


 

The following video includes a very good (“best of breed”) analysis of The Shinning. It is set to begin at 3:46 into the video, which the start of a section the ends with Jack Nicholson’s rant about his contract. Pay special attention to the part about the contract.

Despite its name, the following video includes a very good (“best of breed”) analysis of The Shinning. Pay special attention to the part about the contract. If you can hear Stanley Kubrick’s voice speaking directly to you about his contract to fake the moon landings, then I think you have graduated from this module in your effort to escape the deep hypnotic state. You just have to let it be real. You must think for yourself.

“2001: A Space Odyssey – What Did Stanley Kubrick Know?” from the Shaking My Head Productions channel:

 

 

 

 

 

 

 

 

 

 

 

 

911 Predictive Programming


Is predictive programming real? Or is it an example of confirmation bias, selection bias, pareidolia, or apophenia as discussed on page № 104. Terminology that thoroughly annoys me. The evidence that Hollywood effectively announced the attack on the World Trade Center in films and cartoons well before it actually happened is positively overwhelming. Judge for yourself by following this link to 9/11 predictive programming videos on YouTube. The following one is particularly interesting. As of this writing on October 13, 2019 it has 4,525,306 views. I think you should watch this one.

 

 

 

BACK TO THE FUTURE predicts 9/11 from the barelyHuman11 YouTube channel

 

 

 

The movie Back to the Future was released July 3, 1985. It is utterly preposterous to suggest that the producers and writers of this “Back to the Future” movie knew exactly what would happen on September 11, 2001, over 16 years later.

 

 

 

 

 

There is some not so well hidden symbolism on this bloodstained mask

Virus Predictive Programming


Discuss the unprecedented cast of the movie Outbreak first.

 

 

We are being prepared to accept the reality of “stay at home” orders. It started with the Ebola virus in a far-off land. Do you want to know why Africa? I believe something like an airborne Ebola virus is what’s coming next. Africa was a laboratory. Then there was the usual predictive programming as discussed on page № 17. Tomorrowland, Revelation 12:1-2, and Predictive Programming, in this case a 13-part, 2016 series appropriately named Containment, which perfectly mirrors what is happening now only combined with an Ebola-like disease. This is what’s coming. People think we are not subject to such dastardly planning, that no one has the wherewithal or is brazen enough to orchestrate a deadly pandemic, that the progeny of Jove are a figment of my imagination. People are wrong. I have only this past week received nodding approval for something very daring I added to the Georgia Guidestones page from men “whose shoe’s latchet I am not worthy to unloose,” to quote John the Baptist. I am not swayed by the opinions of others. I know what I am talking about. This is a wakeup call. The progeny of Jove have been using viruses as a weapon for at least 2,600 years. Viruses are just one of several tools they used to check the growth of their planned population explosion, the main one being war. A significant portion of this website, including my homepage, is dedicated to exposing this Orwellian reality. It is an impossible task.

 

Containment (The CW) Official Trailer [HD] from the TV Promos YouTube channel

There will be an end to COVID-19. It’s what comes next that concerns me. I see Ebola and COVID-19 as testing grounds. What comes next is the combination of the two as seen in the Containment series referenced above. The “why” is simple. In the not too distant future, billions of people will see the Sun race across the sky (daytime side of the planet) or the stars fall from heaven (nighttime side of the planet), millions will go from night to day or vice versa (those in between). And for everyone the clocks will be off. At that very moment, thousands of years of planning are in jeopardy. The progeny of Jove already regard us as the walking dead. From the moment of the axial tilt until all of them are safely tucked away in the Colorado tunnel systems, anything is possible.

The progeny of Jove have known how critically important would be these last few days for thousands of years now. In as much as I consider them to be “consummate, brilliant planners,” they most certainly have given this “day of the Lord” an infinite amount of thought. This much is evident even in the design of the Denver International Airport runways. We are being “conditioned” to accept the reality of a modern day plague and “stay-at-home” orders as preparation of what is to come. COVID-19 is only a practice drill, I assure you. It gives us needed time to learn how to stockpile groceries and other necessities and become accustomed to being under stay-at-home orders, as if it were something normal even though the whole concept is an anathema to normal American sensibilities. We are being taught a new normal exactly like 2001: A Space Odyssey was used to make us think it was possible for human beings to leave low-earth orbit, a feat which remains beyond our technical capabilities over a half a century later. You live in an entirely fabricated reality, and it’s about to get real ugly.

 

What this is all about is the need for the progeny of Jove to shuttle 144,000 people by car or plane from all over the world to the Denver International Airport where they will be transported underground to what Virgil called the “Vault Profound,” a tunnel system drilled into a 1.08 billion year old granite batholith we call the “Front Range” in Colorado in the days following what the Bible calls the “day of the Lord.”  This fait accompli is the final act is Shakespeare’s “All the world’s a stage.” It must be accomplished with the skill of a ballerina in as little as 24 hours, and God help the man who stands in their way. You might as well shoot yourself in the head because if you come out of your house and question what is happening, you will be dead in the blink of an eye.

 

What better way to accomplish this than a resurgence of a more virulent and deadly strain of this or another virus in the months prior to the axial tilt. Everyone will be on lockdown, scared out of their wits, the highways empty, and most of the planes in the entire world parked on runways. It’s an ideal situation. But first the progeny of Jove must convince the masses that going outside is deadly. Ebola was round one. The coronavirus is round two. The next time this happens will be the last. A more virulent and deadly strain of this or another virus will be unleashed upon the world. By then, we will all know the drill. Hunker down and prepare to stay indoors. It would not surprise me in the least if the National Guard were deployed with shoot-to-kill orders. Much like WWII, this penchant for grand manipulations of human history is their modus operandi, the Big Lie as Adolf Hitler called it.

In the Containment series, the deadly virus was developed at the CDC in Atlanta. You should read China’s Coronavirus: A Shocking Update. Did The Virus Originate in the US? on the GlobalResearch website.

 

The Epoch Times is the first news source added to page № 107. Highly-recommended News Sources since I created that page. Thanks to one of their journalists, we now definitively know, in  the opinion of a world-class virologist, that COVID-19 was created in a laboratory.  But I cannot agree that this necessarily means it was created in a Chinese laboratory.

 

[Exclusive investigative report] The first documentary movie on the origin of CCP virus(Coronavirus) from The Epoch Times YouTube channel

 

There are a number of reasons why I am convinced this is the work of the progeny of Jove. The first of course is timing. Timing is everything, and the timing of Ebola, the Containment series, and now COVID-19 are perfect if the year the Tomorrowland movie is telling us is correct. Then there is of course the “stay-at-home” orders, which next time around will probably be enforced by local police and the National Guard. But then there is the window of opportunity for the axial tilt. As discussed in Do the progeny of Jove know the exact date?, Lucius Annaeus Seneca (Seneca the Younger), a Roman philosopher who was born the same year as Christ Jesus, suggests the progeny of Jove knows the exact date on which the axial tilt happens. That they know the exact date is also clearly suggested in the Tomorrowland movie. But I have my doubts, and even if they did they would leave nothing to chance. Stay-at-home orders in the face of an Ebola-like disease would last for months. This gives them a comfortable buffer around the time they expect the axial tilt will happen. I believe I know their exact date, but this and the year is not something one discusses on the Internet.

 

This is the Beginning of the End

 

So if this is what is happening, if the progeny of Jove are behind Ebola and COVID-19, this may be rightly regarded as the beginning of the end. Perhaps now you will begin to understand that this is not an intellectual game. The progeny of Jove have always regarded us as the walking dead. Our lives mean nothing to them. Open your heart and read the words from Virgil at the top of my homepage. He was one of them. However hard it is for you to admit the truth of all I say on this website, it does not change the reality that the end of this world is nigh. You owe it to your spouse or other loved one and especially to your children to consider the possibility that I speak the truth. Look hard at the Georgia Guidestones and study the message contained in the Tomorrowland movie. These pages are far from finished, but if you are but willing to listen, however preposterous it may sound to you now, the clock is ticking.

 

 

 

 

 

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