PAGE STATUS: I have hardly touched the surface of where I want to go with this page. It is very much in its formative stage.
LAST UPDATE: November 18, 2020
This page is heavily indebted to what is beyond question the best website on the Internet for studying and learning about the Great Seal.
Quote from movie clip that original submittal was written and details were added in the 20th century.
Important Historical Works
The following works are important to anyone wanting to study the design of the Great Seal.
The Seal of History
Our Inheritance in the Great Seal of Manasseh, the United States of America: Its History and Heraldry; and Its Signification unto the ‘Great People’ thus Sealed c· 1897
Must include official version here Eagles and the Shield
The Rothschild Connection
Dating all the way to Adam Weishaupt and the original Order of the Illuminati, the Rothschilds were the financial backers of and in fact are the European Illuminati.
This is why the pine box in which the Stone of Destiny was delivered to Nicholas Roerich in Paris was addressed to “Banque” and “Banquers Trust.”
Nothing symbolizes this more than the eagle’s talons holding a bundle of 13 arrows on the Great Seal. This is precisely what the heretofore largely unnoticed “Banque” and the change from French to English in the peculiar, multilingual “Banquers Trust” is intended to say,
“They were before the Civil War and remain
This is the Freemasons of the South speaking, the very same men who would 57 years later give us the grossly misunderstood Georgia Guidestones. But “Banquers Trust” means something infinitely more profound and significant, which I discuss on page № 52. The Stone of Destiny and New Atlantis.
The five arrows remain an enduring symbol of the Rothschild name.
The first appearance of a bundle of arrows representing the family was in the Austrian patent for arms of 1817 that placed the brothers on the first rung of the nobility. In 1822, the brothers advanced yet further in the ranks of the Austrian nobility, becoming barons of the Empire.
Five arrows appear on the English grant of arms for which Nathan successfully petitioned in 1818 on behalf of himself and all his brothers and their descendants. Nathan’s design incorporated a lion (rejected by the Austrians) grasping in its paw a bundle of five arrows.
Many members of the family began to adopt the motif of the five arrows. It appears in letterheads, on bookplates, on
porcelain, in jewellery and in countless other decorative ways. Letterheads survive from the mid 19th century which show that some individuals preferred to see the arrows pointing upwards, in spite of the official description of the arrows approved by the Austrian heralds of arms. Although this was purely a matter of personal choice, a cross-channel split of opinion began to develop. The French family and bank gradually adopted ‘arrows up’ for all uses of the symbol, while the English remained faithful to the ‘arrows down’ version. So, within the Rothschild group of business, ‘arrows down’ were used for N M Rothschild & Sons, its subsidiaries and companies in which it has the predominant interest; and ‘arrows up’ for Rothschild & Cie Banque, its subsidiaries and companies in which it has the predominant interest.
But why arrows at all?
The clue is in the work of Moritz Oppenheim, the “painter of the Rothschilds”. A sketch in oils depicts the story told by Plutarch of Scilurus who, on his deathbed, asked his sons – five are depicted by Oppenheim – to break a bundle of darts. When they all failed, he showed them how easily the arrows could be broken individually, cautioning them that their strength as a family lay in their unity. —Five Arrows, The Rothschild Name and Arms, The Rothschild Archive
PLACE VIDEO SEGMENT HERE
The semblance is there, though clearly one could argue the the shield on the one dollar bill is generic in design. In either case, the shield invokes the heraldry of the European aristocracy, something antithetical to the sensibilities of our Founding Fathers.
Yet this is where you find the owl etched onto the one-dollar bill. Why?
constellation above the vulture!!!!!! image
The Great Seal
Many of the world’s desert regions are more or less free of cloud cover. However, one must accept that deserts aren’t equally sunny at all, and the cloudiness varies a lot from a desert to another. While the eastern and central Sahara in northern Africa are the sunniest area of the planet, the Gobi in northern and northwestern China experiences far greater cloud cover but still remains a sunny place. There are 3 kinds of deserts basing on their annual average cloudiness :
– The sunny deserts are the world’s largest deserts as being located under the subtropical/tropical belt. They include the Sahara-Libyan, the Kalahari-Namib, the Arabian-Syrian, much of Iran and the Atacama. They are by far the most sunshiny areas of Earth as all of them are exceedingly free of cloud cover = systematically < 2 tenths of sky cover.
The hexagram or six-pointed star is an important symbol for the Freemasons. You can find everywhere from the facade of the oldest Masonic temple in the world to the Great Seal of the United States of America, where is spells MASON for all but the most hopeless skeptics.
The President, The Secretary & The Guru
This section is critically important to determining who is responsible for the design of the Great Seal, and by “Great Seal” I mean the reverse side of the Great Seal of the United States. The name of this section as well as the image to the left is taken directly from the Eye of the Phoenix – Secrets of the Dollar Bill movie. What it represents for me is very deliberate misdirection (not on the part of the movie makers, but the men who were actually responsible for the final design of the one-dollar bill and who used FDR to assure the reverse of the Great Seal would not only be included, but would be labeled “The Great Seal”). For the sanctimonious American public, the reverse side of the Great Seal of the United States is bold beyond measure and they needed a ready scapegoat or fall guy. That is what this section is really about.
The excerpts from Eye of the Phoenix – Secrets of the Dollar Bill used in this section primarily feature Buff Perry. But I must preface them by saying that when it comes to the Stone of Destiny, Buff Perry is an unrecognized genius whose life’s work is criminally saddled with a “UFO TV” logo. But at the same time, I also think he is out of his league when is comes to establishing who is responsible for the design of the Great Seal.
The following clips were very tediously excerpted from the Eye of the Phoenix – Secrets of the Dollar Bill movie. Because this movie features Buff Perry, I consider it vital to this discussion. However, the movie is a confusing and complex interweaving of many different threads, some of which are utter nonsense that belong on the cutting room floor. They were spliced in to make the story more sensational and must be cut back out so as to not distract from what is useful. Separating out this chaff from the wheat, what is useful from what is not, took me days and resulted in many different videos used not only on this page, but throughout the website.
What Buff Perry’s is missing in his analysis is what I would call the big picture. When the European Illuminati (Old World bankers) took control of the United States in what we know of as the Civil War, they immediately began work on what would become the Federal Reserve System. And before morphing from the Freemasons to to the CIA in 1947, one of the last things they did was the final design of the one-dollar bill discussed on this page. The Alpha and Omega of their time as the Freemasons was all about money and the pièce de résistance was the Great Seal. The only thing the Eye of the Phoenix – Secrets of the Dollar Bill movie gets right about who was responsible for the design of the Great Seal is to point of that the details of the design were not finalized until the 20th century. This becomes important when you put the one-dollar bill under a microscope or start to count how many times the number 13 is referenced.
More thought went into the details of that design than the Georgia Guidestones monument and Tomorrowland movie combined. To think Nicholas Roerich is responsible for the design is misguided, to put it mildly. And that is my point. What you are about to watch in these carefully excerpted clips from Eye of the Phoenix – Secrets of the Dollar Bill is a cover story, and Buff Perry bought it hook, line, and sinker.
Don’t believe it!
Matters of such consequence as the design of “The Great Seal” on the back of the one-dollar bill, the crowning achievement of what was then nearly two centuries of meticulous planning and tireless effort, are not left to chance. The Great Seal was designed long before Nicholas Roerich was ever born, and his role in it being including on printed bills was more like that of the scapegoat or fall guy, someone to blame if the public reacted too harshly to the inclusion of such provocative symbolism on the official currency of the United States of America.
Here are the exact specification for the reverse side of the Great Seal as written by the relatively unknown Secretary of the Continental Congress Charles Thompson and subsequently adopted by Congress on June 20, 1782. As stated on greatseal.com, “No artwork was submitted to nor adopted by Congress,” but read the description and look at the final design. Some immensely important details were added, such as the 13 steps on the pyramid and an upside down Donald Duck in the pupil of the Eye of Providence (which is how Charles Thompson described it at the time, NOT an “all-seeing eye.” As discussed below, the word providence is of paramount importance to understanding the meaning of the design.)
A Pyramid unfinished. In the Zenith an Eye in a triangle surrounded with a glory proper. Over the Eye these words “Annuit Coeptis”. On the base of the pyramid the numerical letters MDCCLXXVI & underneath the following motto. “novus ordo seclorum”
I find support for this theory of mine in the story of how Henry Wallace lost his bid for the presidency. As you saw in the above video, The famous journalist H.L. Mencken labelled him “the swami” and it stuck. With that epitaph he ended the political career of FDR’s Vice President.
A couple of point before I return to the swami thing. In his book America’s Secret Destiny: Spiritual Vision and the Founding of a Nation Paperback, Dr. Henry Wallace, while sitting in the State Department, found a booklet on the Great Seal of the United States.” I wonder if he was not meant to see this pamphlet. And then as noted in the above excerpts from Eye of the Phoenix – Secrets of the Dollar Bill video, the Westbrook Pegler guru letters were “obtained … through an unidentified source.” I know this is questionable evidence, but men responsible for the current design of the one-dollar bill were in control of FDR and they most certainly did not require the help of the Vice President or Nicholas Roerich. As I have said before, such matters are not left to chance, but at the same time the progeny of Jove needed a scapegoat or fall guy. They achieved this by allowing the suggestion to come through Roerich and Wallace and then discrediting both men. FDR took the lead by making sure history remembered that the decision to label the reverse side “The Great Seal” was his. This all seems common or ordinary now, but putting a pyramid and obvious symbol used by secret societies, even if it had been approved by our Founding Fathers, on the back of the one-dollar bill was a bold move.
There are two things I found on the dollar bill the first time I looked closely at it. No one else in the whole wide world claims to have found them, so one possible explanation is that I am batshit crazy. I obviously don’t think so. The first time I same what I immediately began calling the “drowning swami,” I knew nothing about Henry Wallace, H.L. Mencken, or the 1948 presidential elections. Nothing.
For the longest time this image was followed by the comment, “There is a bigger story here that concerns the Freemasons when they were still in direct control of the country. I just do not have the time to write it now.” Now I’ve written it. I think the drowning swami is the progeny of Jove celebrating their final design of the one-dollar bill. Trust me, these guys have a sense of humor. And if the “drowning swami” bothers you, wait until you read about Donald Duck in the Eye of Providence. It is exactly because these design elements are so implausible that these guys had the nerve to include them. What idiot would ever believe there is a “drowning swami” on the back of the one-dollar bill? Yet there it is. Why no one has seen it before me, I cannot say.
Okay, now that you have seen what “they” wanted you to think, watch the mind-boggling, multigenerational planning unseen reality in the following clip from a Secrets In Plain Sight video.
There was never any doubt that “The Great Seal“ (by which I mean the reverse side) was going to be on the back of the one-dollar bill. Placing The Great Seal on the most widely used currency in the entire world was their crowning monetary achievement. It was always only a matter of timing.
Can you see now how Roerich was a stooge for the progeny of Jove? If this level of manipulation of the press and American public doesn’t give you pause or send a “You’re living in the Matrix” chill down your spine, well, I’ll eventually find something that does. Meanwhile, there is in fact something very special going on with Nicholas Roerich. I just do not discuss it here. Instead you need to read page № 52. The Stone of Destiny and New Atlantis.
Juppiter omnipotes, audacibus annue coeptis
This Latin phrase Virgil’s Aeneid means “All-powerful Jupiter favors [the] daring undertakings.” This line is from line 625 of book IX of Virgil’s Aeneid, which reads in the original Latin “Iuppiter omnipotens, audacibus adnve coeptis. according to The Latin Library. I’m not sure of the difference between this Latin, the name of this section which is taken from a quote below, and what is on the one dollar bill, but any English reader can translate the first three words “Jupiter omnipotent, audacious” which is what has been left off of the one dollar bill.
The following quote is from the author of APOLLYON RISING 2012: The Final Mystery Of The Great Seal Revealed. It asks what I consider to be a very pertinent question. Taken into consideration with all the other Latin quotes and symbolism, particularly the all-seeing eye of providence (which I identify as the Great Red Spot on Jupiter below), on the Great Seal of the United States, who is the “he” in “He approves (our) undertakings?” Annuit Coeptis is sometimes translated as “favor our undertakings,” but nonetheless addressing someone or something.
While the public has been made to believe E Pluribus Unum refers to United States citizenship being made up of various ethnicity, what becomes clear when this phrase is interpreted within the mystical context of the Great Seal symbolism is that it could easily refer to one god represented by many names—a god known by various ancient cultures as having walked the earth ‘many’ times under ‘many’ names, yet was ‘one,’ or—E Pluribus Unum. This concept gains persuasion when harmonized with the other two mottoes—Annuit coeptis and Novus ordo seclorum—also taken from ancient texts related to the god Apollo. The motto annuit coeptis is from Virgil’s Aeneid, where Ascanius, the son of Aeneas from conquered Troy prays to Apollo’s father, Jupiter [Zeus]. Charles Thompson, designer of the Great Seal’s final version, condensed line 625 of book IX of Virgil’s Aeneid, which reads, Juppiter omnipotes, audacibus annue coeptis (All-powerful Jupiter favors [the] daring undertakings), to annuit coeptis (He approves [our] undertakings). Was Thompson instructed to do this to conceal the true identity of the ‘He’ of the Great Seal—the mythical father-god Jupiter, who gives Apollo life? —Thomas R. Horn
Novus ordo seclorum
And guess what? This Latin phrase from the one dollar bill comes from the very same Virgil’s Eclogue 4. Go figure. Maybe I’m right about what I am saying.The significance of this poem should be screaming at you by now.
Here I feel compelled to remind the reader that Wikipedia is a tool of the progeny of Jove. However, when it comes to matters close to their heart, you can not only count on Wikipedia telling the truth, it is the first place you should look. In some future world there will be “immersive” (from the Tomorrowland MP3 recording), hologram-based technology in which the Wikipedias of today will be regards as museum pieces and used by children to study the mythical world of the United States of America and unimaginably primitive technologies such as petroleum-based propulsion systems. According to the Tomorrowland MP3 recording, both the “immersive,” hologram-based technology and the more advanced propulsion systems already exist and are waiting to put into use in the next world.
So what does Wikipedia tell us about the Latin phrase “Novus ordo seclorum”?
[bold-red emphasis added]
Origin and phrase meaning
The phrase is a reference to the fourth Eclogue of Virgil, which contains a passage (lines 5-8) that reads:
Ultima Cumaei venit iam carminis aetas; Now comes the final era of the Sibyl’s song;
Magnus ab integro saeclorum nascitur ordo. The great order of the ages is born afresh.
iam redit et Virgo, redeunt Saturnia regna, And now justice returns, honored rules return (or return of Saturn’s reign);
iam nova progenies caelo demittitur alto. now a new lineage is sent down from high heaven.
The forms saecla, saeclorum etc. were normal alternatives to the more common saecula etc. throughout the history of Latin poetry and prose. The form saeculorum is impossible in hexameter verse: the ae and o are long, the u short by position. For the medieval exchange between ae, æ and e, see Æ; the word medieval (mediæval) itself is another example.
Medieval Christians read Virgil’s poem as a prophecy of the coming of Christ. The Augustan Age, although pre-Christian, was viewed as a golden age preparing the world for the coming of Christ. The great poets of this age were viewed as a source of revelation and light upon the Christian mysteries to come.
The word seclorum does not mean “secular”, as one might assume, but is the genitive (possessive) plural form of the word saeculum, meaning (in this context) generation, century, or age. Saeculum did come to mean “age, world” in late, Christian Latin, and “secular” is derived from it, through secularis. However, the adjective “secularis,” meaning “worldly,” is not equivalent to the genitive plural “seclorum,” meaning “of the ages.”
Thus the motto Novus ordo seclorum can be translated as “A new order of the ages.” It was proposed by Charles Thomson, the Latin expert who was involved in the design of the Great Seal of the United States, to signify “the beginning of the new American Era” as of the date of the Declaration of Independence. —Wikipedia
Let’s follow the  reference in order to further substantiate that this motto was taken from the very same Eclogue IV which has always been at the top of my homepage and which is at the very heart of my work because Virgil tells us so plainly to expect an Earth crustal displacement. .
NOVUS ORDO SECLORUM
Origin and Meaning of the Motto
on the Foundation of the Unfinished Pyramid on the Great Seal
Novus ordo seclorum is the Latin motto suggested in 1782 by Charles Thomson, the Founding Father chosen by Continental Congress to come up with the final design for the Great Seal of the United States.
“On the base of the pyramid the numerical letters MDCCLXXVI &
under neath the following motto. ‘novus ordo seclorum’“
“the words under it signify the beginning of the new American Æra“
Translating NOVUS ORDO SECLORUM
- NOVUS means new, young, novel, or renewed.
- ORDO means order, row, or series.
- SECLORUM means ages, generations, or centuries.
An accurate translation of Novus Ordo Seclorum is “A New Order of the Ages,” but the meaning of this motto is better understood when seen in its original context.
Discover the Source of Novus Ordo Seclorum.
The farsighted founders of the United States looked back into history as well as forward, realizing their actions would have long-lasting consequences for future generations.
In January 1776, Thomas Paine inspired the Colonies with a vision of this new American Era. In Common Sense, he wrote: “The cause of America is in a great measure the cause of all mankind… ‘Tis not the concern of a day, a year, or an age; posterity are virtually involved in the contest, and will be more or less affected, even to the end of time, by the proceedings now.”
In his June 1783 farewell letter to the Army, General George Washington wrote: “The foundation of our Empire was not laid in the gloomy age of Ignorance and Superstition, but at an Epoch when the rights of mankind were better understood and more clearly defined, than at any former period.”
Novus ordo seclorum does not mean “new world order.”
- Novus ordo seclorum is an 18th-century Latin phrase (derived from a 1st-century B.C. one).
- “New world order” is a 20th-century English phrase that, if converted to Latin, would not be novus ordo seclorum.
- Seclorum is a plural form. New worlds order!?
- Ordo refers here to a sequence – not a system, hierarchy, or organization
- Charles Thomson explained that the motto refers to the new American Era commencing in 1776.
Other myths about the reverse side of the Great Seal
President Franklin D. Roosevelt
and “A New Order of the Ages.”
The following quote is from the author of APOLLYON RISING 2012: The Final Mystery Of The Great Seal Revealed. I have omitted two footnotes, which can be found by clicking on the link in the previous sentence.
The third and most indisputable authentication that the Great Seal’s symbols and mottoes are in fact a hidden prophesy concerning the return of Apollo is Novus ordo seclorum (a New Order of the Ages), adapted by Charles Thomson in 1782 when designing the Great Seal. According to the official record, Thomson—a friend of the Masons and great supporter of Benjamin Franklin’s American Philosophical Society—created the phrase from inspiration he found in a prophetic line in Virgil’s Eclogue IV: Magnus ab integro seclorum nascitur ordo [Virgil’s Eclogue IV (line 5)], the interpretation of the original Latin being, “and the majestic roll of circling centuries begins anew.” Ironically, Christians since the middle ages have been led to believe this phrase from the Cumaean Sibyl (a pagan prophetess of Apollo, identified in the Bible as a demonic deceiver, as detailed later) was prophesying the birth of Jesus Christ and that it was this arrival of the Savior that gave rise to “the majestic roll of circling centuries begins anew” or New Order of the Ages. Virgil himself was put forth as a prophet in this regard, and that is why Dante Alighieri selected him as his guide through the underworld in The Divine Comedy. What is more astonishing is that the Cumaean Sibyl is even prominently featured alongside Old Testament prophets in Michelangelo’s paintings in the Sistine Chapel.
Yet upon reading Virgil’s text, it is abundantly clear whom the prophetess of Apollo was talking about. The divine son, which comes of the Sibyl’s prophecy, is to be spawned of “a new breed of men sent down from heaven” (what Roosevelt, Wallace and Roerich were looking for) when he receives “the life of gods, and see Heroes with gods commingling.” According to the prophecy, this is Apollo, son of Jupiter (Zeus), who returns to earth through mystical “life” given to him from the gods when the deity Saturn (Saturn is the Roman version of the biblical Satan) returns to reign over the earth in a new golden pagan age.
From the beginning of the prophecy we read:
“Now the last age by Cumae’s Sibyl sung Has come and gone, and the majestic roll Of circling centuries begins anew: Justice returns, returns old Saturn’s reign, With a new breed of men sent down from heaven. Only do thou, at the boy’s birth in whom The iron shall cease, the golden race arise, Befriend him, chaste Lucina; ‘tis thine own Apollo reigns. …
“He shall receive the life of gods, and see Heroes with gods commingling, and himself Be seen of them, and with his father’s worth Reign o’er a world…
“Assume thy greatness, for the time draws nigh, Dear child of gods, great progeny of Jove [Jupiter/Zeus]! See how it totters—the world’s orbed might, Earth, and wide ocean, and the vault profound, All, see, enraptured of the coming time!” 
According to Virgil and the Cumaean Sibyl whose prophecy formed the Novus Ordo Seclorum of the Great Seal of the United States, the New World Order begins during a time of chaos when the earth and oceans are tottering, a time like today. This is when the “son” of promise arrives on earth—Apollo incarnate—a pagan savior born of “a new breed of men sent down from heaven” when “heroes” and “gods” are blended together. This sounds eerily similar to what the Watchers did during the creation of Nephilim and to what scientists are doing this century through genetic engineering of human-animal chimeras.
To understand why such a fanciful prophecy about Apollo, son of Jupiter, returning to earth should be important to you, in ancient literature, “Jupiter” was the Roman replacement of Yahweh as the greatest of the gods—a ‘counter-Yahweh.’ His son Apollo is a replacement of Jesus, a ‘counter-Jesus.’ This Apollo comes to rule the final New World Order when “Justice returns, returns old Saturn’s [Satan’s] reign.” The ancient goddess ‘Justice,’ who returns Satan’s reign (Saturnia regna, the pagan golden age), was known to the Egyptians as Ma’at and to the Greeks as Themis, while to the Romans she was Lustitia. Statues and reliefs of her adorn thousands of government buildings and courts around the world, especially in Washington, DC, as familiar Lady Justice, blindfolded and holding scales and a sword. She represents the enforcement of secular law and is, according to the Sibyl’s conjure, the authority that will require global compliance to the zenith of Satan’s authority concurrent with the coming of Apollo. What’s more, the Bible’s accuracy concerning this subject is alarming, including the idea that ‘pagan Justice’ will require surrender to a Satanic system in a final World Order under the rule of Jupiter’s son.
In the New Testament, the identity of the god Apollo, repeat-coded in the Great Seal of the United States as the Masonic ‘Messiah’ that returns to rule the earth, is the same spirit—verified by the same name—that will inhabit the political leader of the end-times New World Order. According to a key prophecy in the book of Second Thessalonians, the Antichrist will be the progeny or incarnation of the ancient spirit, Apollo. Second Thessalonians 2:3 warns: “Let no man deceive you by any means: for that day shall not come, except there come a falling away first, and that man of sin be revealed, the son of perdition [Apoleia; Apollyon, Apollo].” Numerous scholarly and classical works identify “Apollyon” as the god “Apollo”—the Greek deity “of death and pestilence,” and Websters Dictionary points out that “Apollyon” was a common variant of “Apollo” until recent history. An example of this is found in the Classical play by the ancient Greek playwright Aeschylus, The Agamemnon of Aeschylus, where Cassandra repeats more than once, “Apollo, thou destroyer, O Apollo, Lord of fair streets, Apollyon to me.” Accordingly, the name Apollo turns up in ancient literature with the verb apollymi or apollyo, “destroy” and scholars including W.R.F. Browning believe Apostle Paul may have identified the god Apollo as the ‘spirit of Antichrist’ operating behind the persecuting Roman emperor, Domitian, who wanted to be recognized as ‘Apollo incarnate’ in his day.
Revelation 17:8 also ties the coming of Antichrist with Apollo, revealing that the ‘Beast’ shall ascend from the bottomless pit and enter him. “The Beast that thou sawest was, and is not; and shall ascend out of the Bottomless Pit, and go into perdition [Apolia, Apollo]: and they that dwell on the Earth shall wonder, whose names were not written in the Book of Life from the foundation of the world, when they behold the Beast that was, and is not, and yet is” (Revelation 17:8).
Abaddon is another name for Apollo (Rev. 9:11), identified historically as the king of demonic “locusts” (Revelation 9:1-11). This means among other things that Apollo is the end-times angel or “King of the Abyss” that opens the bottomless pit, out of which an army of transgenic locusts erupts upon earth.
“And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit. And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit. And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power. And it was commanded them that they should not hurt the grass of the earth, neither any green thing, neither any tree; but only those men which have not the seal of God in their foreheads. And to them it was given that they should not kill them, but that they should be tormented five months: and their torment was as the torment of a scorpion, when he striketh a man. And in those days shall men seek death, and shall not find it; and shall desire to die, and death shall flee from them. And the shapes of the locusts were like unto horses prepared unto battle; and on their heads were as it were crowns like gold, and their faces were as the faces of men. And they had hair as the hair of women, and their teeth were as the teeth of lions. And they had breastplates, as it were breastplates of iron; and the sound of their wings was as the sound of chariots of many horses running to battle. And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months. And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon” (Rev. 9: 1-11).
In view of these texts, we recall how Zeus—the Greek identity for the father of Apollo—was acknowledged as ‘Satan’ in Rev. 2:12-13. The fallen angel ‘Apollo’ who unlocks the bottomless pit and unleashes the thunderous hoards of Great Tribulation locusts is therefore none other than the son of Satan and the spirit that will inhabit Antichrist. This means The First Part of the Final Mystery of the Great Seal of the United States is a prophecy, hidden in plain site by the US Government for more than 200 years, foretelling the return of a terrifying demonic god who seizes control of earth in the New Order of the Ages. This supernatural entity was known and feared in ancient times by different names; Apollo, Osiris, and even further back as Nimrod, who Masons consider to be the father of their institution. The Second Part of the Final Mystery of the Great Seal of the United States will unveil when Apollo is scheduled to arrive according to the seal’s cipher.
Not to put too fine a point on it, but if the reader doubts the authority of the scriptures cited above concerning the coming of Apollo as Antichrist or the dedication of the Occult Hierarchy to bring the prophecy on the Great Seal about, it is my opinion that the ‘illuminated ones’ have you right where they want you. In contrast, by understanding the considerable implications of these prophecies, you can better discern why Freemason David Ovason, whose work earned praise from Fred Kleinknecht, Sovereign Grand Commander of the 33rd Degree Supreme Council of Freemasons in Washington, DC, said the dedication of the US Capital Building cornerstone had to be done at the appropriate astrological time, when “Jupiter was rising in Scorpio.” 
Jupiter is rising, and Scorpio, which symbolizes wrath, is ruled by Pluto, god of the underworld. Jupiter (Satan) is rising in wrath . . . or, as Revelation 12:12 puts it, Satan is coming in “great wrath, because he knoweth that he hath but a short time.” All of which begs the question. Why have multiple references to ‘Novus Ordo Seclorum’ by Congress members, US Presidents, International Bankers, CFR Members and other illuminatus been exponentially increasing around the world over the last decade, and why did Barack Obama feel compelled to herald the inauguration of his administration by constructing a replica of the Great Altar of Zeus, the father of Apollo? Is it because an occult elite knows something about the imminent fulfillment of the Illuminati-Masonic prophecy involving a False Yahweh (Zeus/Jupiter) and his False Christ (Apollo) coming with the full-force of Pagan Justice, when Satan’s (Saturn’s) reign over the world reaches its apex in the New World Order?
The Design of the One-Dollar Bill
I suspect Roerich’s involvement was real because of the timing of his death on December 13, 1947. It just seems to me that between him and FDR that the CIA are cleaning up behind themselves. The timing if FDR’s death reminds me of Abraham Lincoln, two men in the public eye who just knew too much.
People like to find things on the one dollar bill. Well, I took a close look at it and was astounded to find things no one else has ever seen.
Exactly How Many Times does 13 appear on the One-Dollar Bill?
“Paleways of thirteen pieces”
Donald Duck in the Eye of Providence
One thing I have consistently found in all my years of study is that the Progeny of Jove has a sense of humor. There can be no doubt about this. Turn the pyramid upside down and you will discover that Donald Duck is in the pupil of the Eye of Providence.
Maybe you think I am imagining this. Maybe you think the progeny of Jove is a figment of my imagination, too. You would be wrong on both accounts. This is a question of original thinking, of seeing what is before your eyes and not letting others tell you what to think, and finally, this is a question of the powers of observation.
One quick reality check here is to find out when the current one dollar bill was designed versus when Donald Duck was created. Here is your answer:
Coincidence? Do you see how difficult is my job? If you think this is a coincidence, if you cannot see this duck, you need to visit page № 1. Our Entirely Fabricated Reality and take my course on escaping the hypnotic state. Until you do, until there is not one trace of doubt in your mind whatsoever that what happened on September 11, 2001, in New York City (“9/11”) is not what the masses think and that Donald Duck really is on the one dollar bill, you do not stand a chance of following my work. None whatsoever.
Why is Donald Duck on the one dollar bill? Or more precisely, why was Donald Duck invented so that he could be included in the design of the one dollar bill?
If you are asking this question, welcome to my world.
This should come as no surprise to anyone who understands the importance of the Walt Disney Studios to the progeny of Jove in these end times. These people do not write things down. They do not send messengers all over the world to the 144,000 designated survivors. They communicate through mass media, and Walt Disney Studios is their chosen venue. Though there have been others, the Tomorrowland movie is primarily why Donald Duck is in the pupil of the Eye of Providence on the one-dollar bill.
This final message about the timing of the apocalypse was always going to be a Walt Disney Pictures movie.
As you can see, that decision was made at least as early as 1934, but in truth the progeny of Jove plan centuries and millennia in advance. By showing each other the dollar bill under high magnification as you see above, one generation was able to pass on to the next where to expect their long-awaited marching orders. I know how hard it is to accept all of this. You must ease into this knowledge. The understanding that everything is one thing requires time. You must acquire a vast amount of information all of which is contrary to everything you have ever known.
“EYE OF THE PHOENIX-Secrets of the Dollar Bill” on the DoUSEEwhatEYEC YouTube channel