The Fibonacci Sequence as Aspect Ratio
This knowledge is represented pictorially by the following image which contains all three elements: the Fibonacci sequence, golden ratio and the golden spiral. Use these three Wikipedia links to learn more about these subjects. I also highly recommend watching Walt Disney cartoons at the bottom of page № 105. My YouTube Library. No kidding.
This is not worldly knowledge. It is not confined to this planet. It is equally shared by all intelligent life throughout the known universe. This is the mathematics of life itself. Without metaphysics, this is as close as flesh and blood can get to whatever force created the universe in which we live.
For the uninitiated, this excerpt from a discussion of that relationship emphasizes the critical point.
Around 1200, mathematician Leonardo Fibonacci discovered the unique properties of the Fibonacci sequence. This sequence ties directly into the Golden ratio because if you take any two successive Fibonacci numbers, their ratio is very close to the Golden ratio. As the numbers get higher, the ratio becomes even closer to 1.618. For example, the ratio of 3 to 5 is 1.666. But the ratio of 13 to 21 is 1.625. Getting even higher, the ratio of 144 to 233 is 1.618. These numbers are all successive numbers in the Fibonacci sequence. —”What is the Golden Ratio?” by Elaine J. Hom from which I borrowed the image at the top of this section.
You should read the entire article if you are not familiar with this subject. Unless and until this relationship begins to captivate your mind as much as it does the most intelligent beings in the universe (human and otherwise), you will not accept what I about to tell you.
The top two rows in this table explain the meaning and significance of 32 and 33 in Freemasonry. The second row is a significant link to their past. 32° E is the exact longitude of Gordium, the capital of the Phrygia.
The double-headed eagle is Phrygian, not German.
I talk about the Phrygian origins of the progeny of Jove in The Phrygians section of page № 8. The Progeny of Jove (think Knights Templar, Freemasons, and European Illuminati).
The mark consists of a double headed eagle perched on a sword with its wings outspread. A triangle is placed on the chest of the eagle and displays the number “32”. A belt is draped on the sword and carries the Latin phrase “Spes Mea In Deo Est”, with a star appearing before the word “Spes” and after the word “Est”.
—Official description of trademark serial number 77908914
This trademark is registered by (get ready) THE SUPREME COUNCIL (MOTHER COUNCIL OF THE WORLD) OF THE INSPECTORS GENERAL KNIGHTS COMMANDERS OF THE HOUSE OF THE TEMPLE OF SOLOMON OF THE THIRTY-THIRD DEGREE OF THE ANCIENT AND ACCEPTED SCOTTISH RITE OF FREEMASONRY OF THE SOUTHERN JURISDICTION OF THE UNITED STATES OF AMERICA. The English translation of the wording “SPES MEA IN DEO EST” in the mark is “My hope is in God”. Think its German? Think again. It’s Phrygian. Crusaders brought it back to Europe.
The double eagle is said to appear on some old Turkish crests, which suggests the possibility that the chief who used it had seen the emblem on the rocks of Boghaz Koi. He may have lived near by and so have come to appropriate it. We may further assume that a crusader obtained possession of a shield of this kind by conquest, or even that he happened to see the rock of Boghaz Koi himself and adopted the design for his coat of arms. In this way it may have found its way into Germany ; but one thing is sure that once in Europe the strange design attracted widespread attention. It pleased many and became frequently used until at last it received a place in the coat of arms of the Empire. —Persistence of symbols as instanced by the double eagle and the staff of Hermes by Paul Carus, The Open Court, 1908, Issue 7, p.393
The 2:3 Aspect Ratio
The next question that must be asked is, Why are the progeny of Jove focused on the 2:3 aspect ratio when it is such a poor approximation of golden triangles? This question has a very simple and practical answer. The 2:3 aspect ratio is easily replicated. In this sense, it is used almost as a symbol to encapsulate the advanced mathematics of the ancients and the spiritual significance with which they imbued that knowledge.
The 2:3 aspect ratio is symbolically used to represent the “All is Number” religion of the Pythagoreans because it is easy to replicate.
2:3 Aspect Ratios in Freemason Square and Compasses, Georgia Guidestones Capstone, and Skull and Bones Tomb
We find the same 2:3 aspect ratio well hidden in the Freemason square and compasses.
Now the astute reader would have already noticed that 78 x 116 is not a perfect 2:3 aspect ratio. 78 divided by two is 39. 39 times three is 117. Now let me tell you something, your first thought will probably be that I am fudging the numbers. I am the last person on the planet who would do that. The progeny of Jove are always exact when it comes to numbers. In the case of something like this, where the exact 2:3 aspect ration would be 78:117 instead of the 78:116 reported on the explanatory tablet, there is always an explanation. In this case, it is a profoundly important one. Read about it in The Capstone section of the № 22. Modern Apocalyptic Artifacts page.
The main “proof” I have that the Order of Skull and Bones are using the same row in this table is the 2:3 aspect ratio of the original Tomb building.
The 5:8 Aspect Ratio
Four Faces of Ezekiel (the Fibonacci sequence in the Holy Bible)
In Ezekiel 10:14, we read. “And every one had four faces: the first face was the face of a cherub, and the second face was the face of a man, and the third the face of a lion, and the fourth the face of an eagle” (red-bold emphasis added).
This is the earliest known mention of the four faces of a man, lion, ox, and eagle (or phoenix). They appear in the Bible again in Revelation 4:7. “And the first beast was like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle” (red-bold emphasis added).
The title page of the King James Bible prominently displays this tetramorph as it is called, particularly when associate with the four Gospel writers in the New Testament.
Click TITLE PAGE for the full-size, high-resolution Wikipedia image
Notice that each of the four gospel writers is holding a quill in his right hand making their identification unmistakable.
In the The four evangelists as four living creatures section of the Wikipedia Tetramorph page, nineteen different prominent Christian authorities throughout history are listed giving their different interpretations of which Gospel author (Matthew, Mark, Luke, or John) should be represented by which symbols (the face of a man or one of the three animals). These differences of opinion should alert the neophyte that what is important is the man, ox, lion, eagle symbolism, not the saints. Indeed, these same for faces are found on the Royal Arch tracing board of the Freemasons as well as the Wheel of Fortune Tarot card, where they have nothing whatsoever to do with Christianity.
It is with the Wheel of Fortune Tarot card that the association of these four faces with signs of the Zodiac becomes somewhat more obvious.
On the Waite card shown, though not necessarily on others, there are also four winged creatures in the corners of the card, representing the symbols of the four Evangelists (The Lion, the Ox, the Man and the Eagle). These four Evangelists are also represented by the four fixed astrological signs: Leo, Taurus, Aquarius and Scorpio. —Wikipedia, Wheel of Fortune (Tarot card)
The biblical effort to highjack the symbolic meaning of these four faces is unfortunate. Ezekiel lived long before Christ Jesus was born. His inspiration was doubtless some ancient knowledge he acquired while in exile in Babylon.
Click EZEKIEL for the full-size, high-resolution Wikipedia image
I believe this is precisely why Michelangelo painted Ezekiel looking behind himself on the Sistine Chapel ceiling. I think this knowledge is profoundly old. This should come as no surprise in a universe that is billions of years old,
The relationship between what English-speaking humans refer to as the Fibonacci sequence and the golden ratio is universal knowledge that transcends both time and space. I suspect very strongly that it is considered essential knowledge throughout the galaxy by countless species. It is what all intelligent beings have in common. And most importantly of all, the relationship between the Fibonacci sequence and the golden ratio suggests very strongly that the creative force and hence the very fabric of the universe is mental, not material. If that is so, then men live beyond the grave. But I am getting ahead of myself.
Here is a summary of the order in which these four faces are used translated into signs of the Zodiac.
I am no little intrigued that of the nineteen Christian personages mentioned above, only one got the order of the signs of the zodiac correct.
He is listed in Wikipedia as “Pseudo-Athanasius (c. 350).” Who is this man? Who dared to do what the Freemasons would not even do on the Royal Arch tracing board? Some day when I finish these 108 pages, assuming that happens before the end, I look forward to acquainting myself with this man. Is “pseudo-Athanasius” and Athanasius one and the same? I find it hard to believe so because I think the homoousion (“Jesus is God”) people—of whom Athanasius was the champion—can’t read (“I go unto the Father: for my Father is greater than I”). On the other hand Arius was wrong to say “were He in the truest sense a son, He must have come after the Father, therefore the time obviously was when He was not, and hence He was a finite being.” The simple truth is the First Council of Nicea was a false dichotomy. The problem was the inability of anyone present to separate the man Jesus from the office of the Christ. Mrs. Eddy says, “The Christ dwelt forever an idea in the bosom of God, the divine Principle of the man Jesus…” (S&H, p.29:26-28).
What is the correct order of Ezekiel’s faces? The twelves signs of the Zodiac are divided into three groups of four which are known as the cardinal, fixed, and mutable signs. Ezekiel’s faces are the “fixed signs,” but this is so much astrological nonsense.
I am of the considerable opinion that the Greek pantheon and modern astrology are the earliest efforts of the Pythagoreans (the progeny of Jove in their day) to obfuscate our real history, in this case the fact that the planets were thought to be Gods because they were much closer to Earth and loomed large in the sky. In other words, they are seeking to hide the fact that the solar system was reconfigured in the not too distant past.
Why? Why go to all that trouble? I hope you are actually asking this question and not just reading. The answer is that they are laying the groundwork for uniformitarianism (a.k.a. gradualism). They want to hide the catastrophic nature of the planet on which we live. And why do they want to hide our catastrophic past? Because they have known since at least 600 B.C. that something far worse is about to happen and they want to lull us to sleep.
Nothing, I repeat nothing contributes more to the hypnotic state of man more than the belief that nothing ever changes, at lest not within the timescale of a human life.
The belief that dramatic changes occur only over millions and billions of years makes our lives seem inconsequential in comparison. Darwin was their boy. These people are brilliant, consummate planners, so much so that I often think they must be working with an alien species that has a much longer lifespan than humans presently do because I don’t see how they could so skillfully execute such an elaborate plan having the same lifespan as the people being deceived. It is a feat that never ceases to amaze me. Astrology as a nonsensical replacement for astronomy was an important part of this deception. As sweeping as a deliberate deception astrology may seem to be, it is no different than what happened with all of the giant skeletons found in the U.S.A. 1000 years later that have mysteriously disappeared at the Smithsonian. Do you ever wonder why no one in a position of power demands that the Smithsonian account for those skeletons?
So let’s forget the “fixed sign” nonsense. Okay? What we do know is that the order of the Zodiac is unchanged since the days of Ezekiel.
There is no apparent reason for Ezekiel to single out these four constellations. So let’s look at the sequence. There is 2, 5, 8, and 11. Can you see what he is encoding? It has nothing to do with the Zodiac or constellations. He is just using the sequential numbers of the Zodiac to encode some numbers. They just need to be rearranged slightly.
1, 1, 2, 3, 5, 8
Where did I get the three from? That is the beauty of using the signs of the Zodiac to encode the Fibonacci sequence. Three of the faces are animals. One is a human. Ezekiel 10 is a sophisticated encoding of the Fibonacci sequence. And so is the Royal Arch tracing board, the Wheel of Fortune Tarot card, the title page of the King James Bible, which by the way also encodes 666 (see 666 on the Title Page of the King James Bible for a discussion), and of course the Book of Revelation, which was written by the Phrygians who were the progeny of Jove in their day.
So what does all of this have to do with the 33.69° angle in a 2:3 aspect ratio rectangle? In this case, the four faces of Ezekiel is the 2:3 aspect ratio rectangle. Both are symbols used to convey a message of solidarity and camaraderie with those who recognize the highly special nature of the knowledge these symbols convey. The same is equally true for 23, 33, 322, and 666. They all carry essentially the same meaning. 23 is used by Hollywood, 33 by the Freemasons, 322 by the Illuminati.
66 and 666 are special cases. They are used to taunt the religious minded. The progeny of Jove are mortal enemies of the Jews and detest Christians. But their God is no “Lucifer.” Essentially, they worship numbers, but “numerology” is a grossly misleading term in this sense. Please stop now and take the time to read The Divine Essence (Golden Spiral and Sacred Number 216).