№ 76. Approximating Phi using the Fibonacci sequence as aspect ratios

PAGE STATUS: The focus of this page is something I developed entirely on my own. I consider it an important page for people who are mathematically challenged and yet who of necessity must grasp the importance of number to the progeny of Jove in order to understand what I am saying on this website. But this page needs a lot more work before it is finished.
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The approximation of Phi

But the problem is that Phi is 1.618 which is difficult for not only humans but for all sentient beings to reproduce. Therefore in symbolism and in mathematical constructs used in everyday life such as 360° circles, the value of Phi is approximated. It is represented or replaced by a number that can be more easily replicated. And what is that symbolic replacement for Phi?

Revelation 13:18
Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is Six hundred threescore and six.

More specifically, it is .666 (repeating) which is how the fraction is expressed in decimal, but which at some point must be rounded. Likewise, the Golden Ratio, which is the Bible of nature, is 1:1.618 and is replaced by the 2:3 aspect ratio. This is how secret societies throughout the ages have conveyed the importance of Phi, by expressing it with a value that can be easily replicated. This explains why 666 and the 2:3 aspect ratio is at the heart of all secret society symbolism.

But this replacement strategy has been adopted by all sentient beings throughout the galaxy and indeed the universe. How important is the combination of 216 and Phi? For starters, it explains why there are 360 degrees in a circle and it yields the equally important 144 in the Bible:


When these two numbers are united, Phi and 216, the secrets of the universe are unlocked.



Assume thy greatness, for the time draws nigh,
Dear child of gods, great progeny of Jove!
See how it totters- the world’s orbed might,
Earth, and wide ocean, and the vault profound,
All, see, enraptured of the coming time!
Ah! might such length of days to me be given

Eclogue IV, Publius Vergilius Maro (Virgil)

There is nothing either good or bad but thinking makes it so.

— Sir Francis Bacon

Take for example the image above. You can look at the “good” white squares (or what an artist might call positive space) or you can look at the “bad” black squares (negative space). Either way, the smallest Pythagorean Triple is 3, 4 and 5, which when represented as above results in a 5-8-13 Fibonacci sequence. Everything is one thing in mathematics, too. Only the one thing is Phi. Introducing the notion of good and evil based on color is not only inherently prejudiced, but completely overlooks the significance of this Freemason symbol for of the 47th Proposition of Euclid, which is described as “the Foundation of all Masonry, sacred, civil, and military…” in an article written by Lodge No. 43 in Lancaster, Pennsylvania in which they explain how to properly measure the Great Pyramid of Giza. Now you know why Freemason floors are checkered. Or you can believe all the nonsense on lessor Freemason websites.

We are told the 360° circle is the invention of the Mesopotamians. This is not true. 360° circles are a natural outgrowth of 216, the most sacred of all numbers, and the Golden Ratio. Much like our system of timekeeping which Lucien Khan has ingeniously showed us is based on the Fibonacci sequence, 360° circles are most certainly used throughout the galaxy. Indeed, the universe. We are already more a part of the galactic community than you realize. Having recently cut to the core of the Georgia Guidestones and realizing once again that I am speaking to an empty auditorium, I am becoming unapologetic about the unbelievable. I have met these people. I refer to them as people because they are more human than anyone I have ever met. But they have extraordinary powers. Our future is not in the hands of the progeny of Jove. The other beings in our galaxy is not so pitiless. Nor are they unaware of our plight. They will be landing in the aftermath of what is about to happen. Count on it.

You see, the mathematical knowledge the progeny of Jove possess is not so difficult to master. Appreciating its significance is an entirely different matter. Though I cannot agree with Pythagoras that All is number, I do feel such a deep reverence for these numbers that I parted company with the Christian Scientists and felt compelled to create page № 67. Refereeing between the Gods. What gives the progeny of Jove their power on this plane of existence is the certain knowledge that the earth is about to be utterly destroyed. In that sense, knowledge is indeed power.

The Fibonacci sequence as aspect ratio

This knowledge is represented pictorially by the following image which contains all three elements: the Fibonacci sequence, golden ratio and the golden spiral. Use these three Wikipedia links to learn more about these subjects. I also highly recommend watching Walt Disney cartoons at the bottom of page № 105. My YouTube Library. No kidding.

This is not worldly knowledge. It is not confined to this planet. It is equally shared by all intelligent life throughout the known universe. This is the mathematics of life itself. Without metaphysics, this is as close as flesh and blood can get to whatever force created the universe in which we live.

For the uninitiated, this excerpt from a discussion of that relationship emphasizes the critical point.

Around 1200, mathematician Leonardo Fibonacci discovered the unique properties of the Fibonacci sequence. This sequence ties directly into the Golden ratio because if you take any two successive Fibonacci numbers, their ratio is very close to the Golden ratio. As the numbers get higher, the ratio becomes even closer to 1.618. For example, the ratio of 3 to 5 is 1.666. But the ratio of 13 to 21 is 1.625. Getting even higher, the ratio of 144 to 233 is 1.618. These numbers are all successive numbers in the Fibonacci sequence. —”What is the Golden Ratio?” by Elaine J. Hom from which I borrowed the image at the top of this section.

You should read the entire article if you are not familiar with this subject. Unless and until this relationship begins to captivate your mind as much as it does the most intelligent beings in the universe (human and otherwise), you will not accept what I about to tell you.

The top two rows in this table explain the meaning and significance of 32 and 33 in Freemasonry. The second row is a significant link to their past. 32° E is the exact longitude of Gordium, the capital of the Phrygia.

The double-headed eagle is Phrygian, not German.

I talk about the Phrygian origins of the progeny of Jove in The Phrygians section of page № 8. The Progeny of Jove (think Knights Templar, Freemasons, and European Illuminati).

The mark consists of a double headed eagle perched on a sword with its wings outspread. A triangle is placed on the chest of the eagle and displays the number “32”. A belt is draped on the sword and carries the Latin phrase “Spes Mea In Deo Est”, with a star appearing before the word “Spes” and after the word “Est”.

—Official description of trademark serial number 77908914


The double eagle is said to appear on some old Turkish crests, which suggests the possibility that the chief who used it had seen the emblem on the rocks of Boghaz Koi. He may have lived near by and so have come to appropriate it. We may further assume that a crusader obtained possession of a shield of this kind by conquest, or even that he happened to see the rock of Boghaz Koi himself and adopted the design for his coat of arms. In this way it may have found its way into Germany ; but one thing is sure that once in Europe the strange design attracted widespread attention. It pleased many and became frequently used until at last it received a place in the coat of arms of the Empire. —Persistence of symbols as instanced by the double eagle and the staff of Hermes by Paul Carus, The Open Court, 1908, Issue 7, p.393

The 2:3 aspect ratio

Solving angle A using trigonometry very similar to that found on Plimpton 322. Supposedly, the Phrygians and the later Pythagoras predate the use of trigonometry, but Plimpton 322 tells a different story. You can be sure the Phrygians made use of trigonometry on a regular basis. The 666 in Revelation is all the proof of this I need.

The next question that must be asked is, Why are the progeny of Jove focused on the 2:3 aspect ratio when it is such a poor approximation of golden triangles? This question has a very simple and practical answer. The 2:3 aspect ratio is easily replicated. In this sense, it is used almost as a symbol to encapsulate the advanced mathematics of the ancients and the spiritual significance with which they imbued that knowledge.

The 2:3 aspect ratio is symbolically used to represent the “All is Number” religion of the Pythagoreans because it is easy to replicate.

2:3 aspect ratios in Freemason Square and Compasses, Georgia Guidestones capstone, and Skull and Bones tomb

We find the same 2:3 aspect ratio well hidden in the Freemason square and compasses.

Square & compasses (Insignia of Freemasons) carved into stone. Part of the foundation stone on a masonic hall situated in the centre of Lancaster in the UK. (credit Wikipedia)

Now the astute reader would have already noticed that 78 x 116 is not a perfect 2:3 aspect ratio. 78 divided by two is 39. 39 times three is 117. Now let me tell you something, your first thought will probably be that I am fudging the numbers. I am the last person on the planet who would do that. The progeny of Jove are always exact when it comes to numbers. In the case of something like this, where the exact 2:3 aspect ration would be 78:117 instead of the 78:116 reported on the explanatory tablet, there is always an explanation. In this case, it is a profoundly important one. Read about it in The Capstone section of the № 22. Modern Apocalyptic Artifacts page.

The Skull and Bones tomb as it appeared in its original configuration, with just one rectangular, windowless block. (credit Yale Alumni Magazine)

The main “proof” I have that the Order of Skull and Bones are using the same row in this table is the 2:3 aspect ratio of the original Tomb building.

The 5:8 aspect ratio