Special Note: This page is one of the most popular pages on the website. Ergo, I have drastically reduced load time to make studying it a better experience for the reader. I’ve been there, by the way. I’ve seen everything I am talking about, including the underground rail system that has fascinating side tunnels the curve off to one side and then head down deeper into the ground. All of these pictures are mine. I strongly encourage you to read my home page to get an overview of what is happening in the world today.
In Peace and Harmony with Nature
The murals at Denver International Airport (DIA) have raised many an eyebrow. Why? Why are these murals in a major international airport so strange? The name of the following mural (located in the Jeppesen Terminal on Level 5), “In Peace and Harmony with Nature,” is dripping with sarcasm:
The artist, Leo Tanguma, apparently found himself in essentially the same situation as Stanley Kubrick while the latter was faking the moon landings. His employers necessarily told him everything. In other words, Leo Tanguma knows what is about to happen. He doubtless also knows Kubrick was eventually murdered because of his cinematic work. Expect some measure of subtlety here.
What you see in the background are the Mayan books burning, not trees.
The smoke above the modern city is a reference to The Three Days of Darkness that Catholics believe will follow the event.
The Crazy German
The little blonde-haired boy off to the side represents the Beast. He is a psychopathic German, petting a squirrel while standing in front of a Bison trophy. The message is clear.
He is not whole as the secret societies claim, but has killed off his feminine side or self. Here is the reality of unleashing this monster on the world:
These are Bison bones. But let’s looker deeper at the symbolism.
The Deformed Hands
Now let us look a little deeper. Notice all the deformed hands:
The artist is drawing you attention to something, but what? The obvious answer is the 666 incorporated into the mural. Go back up to the top of the page and see if you can find it for yourself. There are three fully stretched out, opened-palm hands in the mural. They beg your attention in that regard. Look closely at the white highlighting. One of the palms are reversed. Don’t expect this stuff to fall in your lap. Tanguma has the same problem as Kubrick of staying true to himself as an artist while staying alive at the same time. The six is the most obvious in the the most important hand, which it to the far right. Here is a different magnification of that hand:
Notice that sharp contrast the artist is using to make this particular hand stand out from the rest. I will continue this discussion of the hands in the next section.
They image includes a “QUETZAL” bird marked “Extinct ?” as shown in this closeup:
The long tail feather makes it obvious that this is actually a resplendent quetzal, which Wikipedia discusses as follows:
Myth and legend
The resplendent quetzal was considered divine, associated with the “snake god”, Quetzalcoatl by Pre-Columbian Mesoamerican civilizations. Its iridescent green tail feathers, symbols for spring plant growth, were venerated by the ancient Aztecs and Maya, who viewed the quetzal as the “god of the air” and as a symbol of goodness and light. The Maya also viewed the quetzal symbolizing freedom and wealth, due to their view of quetzals dying in captivity and the value of their feathers, respectively. Mesoamerican rulers and some nobility of other ranks wore headdresses made from quetzal feathers, symbolically connecting them to Quetzalcoatl… In several Mesoamerican languages, the term for quetzal can also mean precious, sacred, or erected…One Mayan legend claims that the quetzal used to sing beautifully before the Spanish conquest, but has been silent ever since; it will sing once again only when the land is truly free.
Leo Tanguma is Mayan. His question mark after the word “Extinct” is obviously him praying for his people. But something much more profound is happening here.
The Encoded Message
Two of the resplendent quetzal tail feathers cross forming a plus sign. One points to the Sun and the other to the outstretched hand symbolizing the number five. The Sun to which the one tail feather points is carved into stone, representing the knowledge the Spanish and Catholic church did not (or rather could not) fully destroy. (The Spanish did not discover the “New World.” They were sent there along with the Catholic church for the express purpose of destroying its history, with the express purpose of covering the tracks of the Beast in Central and South America. This is an entirely different subject which I must address in its fullness elsewhere on this website.)
The message here is the most sacred Leo Tanguma has to offer. It is the same as the shamans message of “y un poco,” only it is very specific. The message is to add five to the Mesoamerican Long Count calendar. It is reinforced by the end date of December 16, 2013, which is five days before the winter solstice. The message is to add five years to the end of the calendar. This is what I call the Great Wayeb, which is discussed elsewhere on this website. The calendar itself includes what I call an “anti-cipher” to this end, assuring those who pursue this knowledge that they are interpreting it correctly.
DEN = Vault Profound
The underground rail system at the Denver International Airport leads to the Front Range batholith, which is one of the most unique granite batholiths in the world. What I call the “progeny of Jove” have drilled an extensive underground tunnel system into this batholith to survive the coming axial tilt. The Freemasons refer to this granite tunnel system with their “G” symbolism. The Latin poet Virgil refers to it as the “Vault Profound.” Here it is worth noting that the official code for the Denver International Airport is not DIA. It is DEN. Get it? The DEN and the Vault Profound are one and the same thing. See the Virgil’s Eclogue 4 and The Vault Profound page for a detailed discussion.